Drag and drop these into your Watch Folder. In my case I am transcoding P2 footage, so I need to drill down into the file structure and select the MXF files in the Video folder. Open the folder containing your raw footage and your newly created Watch Folder on your desktop. However, you may want to keep the Media Encoder interface open to monitor the progress of the encode. You simply have to drag your raw footage into the Watch folder on your desktop and the transcode will start automatically. Batch Encode Your Footage Using Your Watch FolderĪt this point, you no longer need to use the Adobe Media Encoder interface. Time to batch encode your raw footage into ProRes 422.ģ. I'll call mine "Prores 422 HQ"Ĭlose the Export Settings window and you'll now see that your new preset has been assinged to your watch folder. Next you'll be prompted to name your new preset. Be sure to change your video setting such as frame size and frame rate. Here you will see the current video codec setting, the default H.264. To do this, you'll need to move down the Export Settings window and go to the Video tab. That's because you still need to make your custom setting. Once again, if you drill down on the available presets, you'll see the same DV and H.264 options as before. This will open the Export Settings window. We are going to have to create our Prores preset and assign it to the Watch Folder.Ĭlick on the default preset that you previously drilled down on. As you can see, we are given several H.264 and DV options, but no ProRes. This isn't the preset we want so we'll drill down and see what other options we have. The Watch Folder is assigned the default preset, in this case its HD 1080i 25, H.264 ACC 48kHz. You will notice that the Watch Folder now appears in the Watch Folder tab of the Media Encoder interface. I have called mine "Prores 422 Transcodes" and set it on my desktop. You will be prompted to select a location and name your folder. To create a Watch Folder, open Media Encoder and choose File > Add Watch Folder. When complete, the transcoded file is exported to an Output folder created inside the Watch Folder. Any video or audio file that you drop into the folder will be automatically encoded to that custom specification. When you create a Watch Folder with Media Encoder, you assign custom encoding settings to that folder. Okay, lets get started.Ī Watch Folder may look like any other folder on your desktop, but doesn't act like other folders. To those of you who are familiar with Apple Compressor Droplets, Watch Folders fulfill a similiar function. In this tutorial we will learn how to batch encode raw P2 footage into ProRes 422(HQ) using Watch Folders. Since you are transcoding camera raw footage you will most likely want to batch encode using an automated workflow. PC users are out of luck as far as ProRes is concerened, but there are a number of other good intermediate codecs out there that you can look into. The only caveat is that you will need to have the ProRes codec on your machine (and if you have Final Cut Pro installed, then you already do). Fortunately, Adobe Media Encoder makes transcoding to Prores fairly painless - although it may not be immediatly appearent since it doesn't show up in any of the presets. Unlike Final Cut Pro, Premiere Pro CS6 doesn't have a Log and Transfer tool that can easily transcode native footage to ProRes - and since one of Premiere Pro's main selling points is it's ability to edit with native formats, why should it?īut there are some cases where you may want to edit with a intemediate codec like prores - if you are handing off a project to be finished on another system that does not support native editing, for example. In last week's post I mentioned I would share a tutorial on how to transcode to Prores 422 with Adobe Media Encoder.
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